London Diaries 9 – Thursday 21st February 2019: …and finally, Greenwich

LONDON DIARIES 9

The problem with enthusiasm is that it’s not always the most practical mindset, which is why I’ve recently found myself juggling about five different projects simultaneously. Individually, they’re all awesomely fun… Take photographs? Sure. Start a street photography collective? Oh, hell yeah. Create a magazine publication, write a blog, sort out my “real life”… absolutely. But when the twist is that I have to do all these things AT THE SAME TIME: well, I’ve found myself taking a lot more power naps recently.

With that in mind, I’ve found myself several blogs behind schedule. If I had one scrap of common sense, I’d shrug them off and pretend those shoots never happened. Instead, I’m using an unusually quiet Saturday to catch up on the backlog. I didn’t make notes (I’m not that organised, unfortunately), so I’m writing from memory. I mean, it helps that I’ve got the photographs to trigger those memories 😉

PJ and I used to always shoot street on Thursdays in 2018, until other circumstances forced us to change our regular weekday. We took advantage of it being school holidays to allow us to shoot on a Thursday again this time. I’d originally mentioned Greenwich as a potential new location to check out, but PJ hadn’t felt like making the journey, so I’d filed it under “at some point”. But we had no concrete plans for today. Plus, it was the fourth anniversary of my dad’s passing, AND my ex was due in court that morning to face criminal charges against me, so I needed a massive distraction. Here’s the diary of the day:


SOHO

We did our standard Paddington to Oxford Circus tube journey, and walked over to Chinatown. I just checked my IG account, and I’ve already shared 11 shots from this day onto my account, so technically this was a good day’s shoot. But I wasn’t really with it all day. I kept feeling awfully emotional about the significance of the date. There wasn’t much going on to photograph during the walk – or maybe there was, and I just wasn’t in the right frame of mind to notice. I loved those Mulberry posters on the phone box, though. They’ve since been replaced by Wrangler ones, and they’re not as good.


CHINATOWN

We arrived in Chinatown at approximately the same time as every delivery van in existence, so it was difficult to get decent compositions, although in two of the examples above, the vans actually added to the shots. We decided to go to Leon for an early lunch (Korean chicken burger and goji juice, in case you’re interested. Why would you be?…), and then returned for a few more photo opportunities. The sun was out enough to cast some interesting shadows, which is normally our cue to get ourselves over to the South Bank.

I’ve been avoiding shooting in RAW recently. There are several reasons for this, not least because I don’t have time to spend hours in Lightroom. I think the Pro Neg HI and ACROS JPEGS out of the X100F are decent enough for my requirements, and VSCO X is sufficient to add that analogue look to the tones in my JPEGS that I personally like.


TRAFALGAR SQUARE

Off we went towards the South Bank. Our regular route takes us via Trafalgar Square, which is my least favourite place to shoot in London. The light is too harsh, the people are too “touristy”, and there’s no interesting backgrounds to contribute to compositions. But today, there WAS somebody in an enormous (and I mean ENORMOUS) panda costume, so for once PJ was spared my monologue about how they should just let the pigeons back so at least we’d get interesting shots there (she doesn’t disagree, partly to shut me up, and partly because she doesn’t like the guy who handles the hawk, employed to scare off the pigeons, because he wouldn’t let her photograph him one time).


SOUTH BANK

It was worth going over to the South Bank for the shadows, and for an interesting crowd. It was at this point, around 2pm, that I casually slipped into the conversation that “seeing as we’d already managed to capture some decent images so far today, wouldn’t this be a good time to check out Greenwich? If it sucked for photography, we’d lost nothing, but if it was good, we could definitely go back for longer another day?” And because PJ is good like that, and because I was still being a miserable cow because of what day it was, we walked over to Bank and got on the DLR.


GREENWICH

So, it turned out we both really liked Greenwich. As an (admittedly weird) teenager, I often used to walk the Greenwich Foot Tunnel underneath the Thames on weekend for no reason other than it was there. But I’d never explored Greenwich itself. We got off the DLR at the Cutty Sark, and were pleasantly surprised how the area had “seaside town” vibes, like a Cornish village or Brighton (but without the beach, obvs). Greenwich Market had a great array of oddities and street food, and I got an excellent flat white from Crosstown Doughnuts.

We wandered down to the river to get a closer look at the Cutty Sark and the skyline, noticing that there was a river taxi service back to the London Eye, but neither of us were willing to queue with the seemingly hundreds of half-term families. Something for another day, definitely.


Greenwich is definitely going on the list of places to return to – it’s a shame it’s so far out of zone 1 though. It’s also a shame that I spent so long procrastinating today, and wrote only one of blogs that I was supposed to. I blame Ricky Gervais for making a new show that I needed to binge watch, and the people I follow on Instagram for putting out such engaging content.
The next blog will be the final instalment of London Diaries, because I would rather spend my time blogging about other specific things, rather than feel obligated to keep up a series that repeatedly journals the same areas. Next time, I’ll be combining photographs from my two most recent shoots, and sharing images from another new location, Notting Hill.

Stay Curious,

Love from London x

Shots from the Undercroft

WEDNESDAY 27TH FEBRUARY 2019

Out of about a hundred photographs that I shot today, 27 of them were taken at the South Bank’s famous Undercroft skate park. Despite being famous since the 1970s as “the spiritual home of British skating”, as well as a very popular tourist attraction, the skate park was under threat of being eradicated completely as recently as last year, but thanks crowd-funding and petitions led by the campaign group Long Live Southbank, the skaters have won their fight to stop the area being redeveloped.

As somebody who has very little balance and co-ordination merely walking down the street, I’ve always been fascinated by the skills that so many of these people have – watching a little awe-struck as they do their tricks. I’ve been visiting the Undercroft as a spectator since I was in my early teens, and I’m really happy that I own a camera nowadays that has shutter speeds capable of capturing these skaters’ skills in a way that does them more justice (click any image in the gallery to enlarge).

All of these photographs were shot with my Fujifilm X100F in shutter priority, with an ISO range of 200-1600. I am shooting JPEGS, with ACROS + PRO Neg. Hi film simulation bracketing, and editing my images using a Kodak Ektachrome E100G base simulation in VSCO X to give the photographs my preferred analogue feel.


London Diaries 8 – Saturday 16th February 2019: Nearly Everywhere

We don’t normally go shooting on Saturdays.

“You know what’s good on Saturdays? Camden Market,” I said to PJ. And I was technically correct. We just went there a couple of decades too late.


Camden Town in the 1990s was so much fun – an area famed for being a Mecca for subcultures. Cyberpunks and Goths and Indie Kids would mill around the streets, each sporting the styles of their respective scenes. The whole place was a feast for the senses: loud music blaring from every stall, the scents of street food and incense filling the air, stalls filled with bootleg records and outlandish clothing and bizarre handmade goods… there was always a vibe around the place that encouraged individuality, and told the misfits that this was the one place they could comfortably be themselves.

Camden Market wasn’t just one market. It was a collection of several smaller markets all in close proximity to each other, linked by Camden High Street. The roads offered a variety of small pubs that doubled as music venues, where a lot of the Indie bands of the nineties first started out. Fast forward to 2019, and that whole atmosphere has gone. Camden these days is just another tourist trap. I’m in my thirties now, and so I don’t know if “scene kids” even exist any more (I’m the mother of teenagers though, and from what I can tell, it doesn’t), but if they do, they’re not hanging around Camden, that’s for sure. Long story short, we didn’t end up spending much time in Camden in the end.

This London Diary instalment is relatively short, due to poor light, indecisiveness, and a lack of inspiration. Not every shoot is a success.


Walk from London Paddington to Camden Lock

We left ridiculously early and ended up at London Paddington before 8:30AM, so we decided to walk to Camden. We’ve been consciously trying to stay above ground as much as possible over the past few months to get more of a sense of where locations are in relation to each other. We’ve been surprised on several occasions about the proximity of places compared to how they look on the Underground map. The walk from Paddington took us along the Grand Union canal path, so it wasn’t the most exciting journey in the world, aside from the section that passed through London Zoo, so we got to see some warthogs from a distance (always a novelty in London). I took a few snaps with the Huawei P20 Pro en route (above)…

… a couple of selfies with the Samsung Galaxy S7…

…and a couple of photographs with the Fujifilm X100F (which, for reasons that made sense to me at the time, are all in 1:1 format this week).

Then onto Costa for a quick coffee before hitting the markets to take some photos.


Camden Town

This was the result of shooting around Camden: eight mediocre photographs. The ONLY exciting thing that happened the whole time we were there was that I found a vintage camera stall that had a Mamiya RZ67, which the guy let me have a play with. I didn’t buy it, because a) it was £1000, and b) it wasn’t the Pro II version, which has extra fine tuning on the focus dial, but it was great to get an idea of the size and weight of it, and to actually look down through that viewfinder. And now be lusting after owning one even more.


Brick Lane

So we headed East, heading for Shoreditch and Brick Lane, defecting en route to Starbucks by Spitalfields Market purely because they sold pancakes (I ordered some bizarre frappe thing instead of their coffee, because I don’t hate myself). The light was still woefully flat, and neither of us appreciated beforehand that Brick Lane Market is really an exclusively Sunday thing.

Still, I was a little more in the mood to photograph people, having held that Mamiya earlier in Camden, and there were far more interesting looks going on around Brick Lane than there had been in Camden.

It was turning into one of those days where we didn’t know where we wanted to be or what we wanted to do. But where do we normally go when all else fails? Chinatown and Soho… so we walked back towards Liverpool Street to get the number 8 bus westbound, capturing a couple more shots along the way, including a pretty epic soft tiger toy that somebody had left by a bin.


Chinatown + Soho

I haven’t been particularly excited about ANY of the shots I took on this day. Writing this blog forces me to review my photographs far more than I have done previously, and everything that I shot this Saturday just reminds me of the kind of images I was producing a year ago. That’s why it has taken so long for me to get this edition of London Diaries published on the site: I’m not proud of these photographs, and I’m reluctant to post them as examples of my work. However, I think that if I’m going to write this blog, it needs to be honest, and so what if I had an off day? Everybody has off days, right?


Some very angry people, + a bit of photojournalism

Just as we were about to leave Central London and begin the journey home, several police riot vans sped past us and turned just off of Piccadilly Circus. Two separate protests had inadvertently merged – one a group of Pro-Brexiteers, angry about the UK not leaving the EU swiftly enough, and the other a group protesting the lenient sentencing of a hit-and-run driver who had killed three teenagers. We followed the sound of the angry mob, and came across this scene. The atmosphere was horrific, a police officer had just been punched in the face when we arrived, and it didn’t feel like a particularly safe place to be taking photographs, but it was interesting to try to capture the moment. First time in ages that I wished I had a telephoto lens, because I definitely didn’t want to get any closer than where I was standing.


So that was that. The moral of the story this time is to have a plan (and a back up plan) when you go out shooting, especially if your time is limited. There isn’t normally a moral to these diaries, but it’s an added extra to compensate for the mediocre photography.
On the plus side, the next instalment is going to look totally fantastic in comparison to this one.

Stay Curious,

Love from London x

London Diaries 7 – Wednesday 13th February 2019: Instax and Artefacts

Photography is like an addiction. Generally, I manage to get out once or twice a week to shoot street photos, and that seems to feed my habit enough. But occasionally, circumstances prevent me from managing to get into Central London. Which would be fine if I lived in a remotely photogenic area that I could grab half an hour or so to take photographs around here and there, but I don’t. It’s not pretty enough to be typically “British”, nor gritty enough to be interesting – just mundane suburbia.

Whenever these forced hiatuses from street photography occur, I tend to get withdrawal symptoms after about seven days. And then something dangerous happens: I start “researching” things. This is the nicest way to describe my habit of becoming intensely interested in something new, and this time, that “something new” was medium format cameras and 120 film.

When I was considering buying the Fujifilm X100F for my street photography, I researched hard… to the point that when I actually bought one, I’d watched so many hours of YouTube videos about them, I felt like I’d owned one for years. I seem to be going the same way with the Mamiya RZ67 Pro II, my desired medium format camera. This interest has stemmed from my increasing love of Japanese analogue portrait photography, which generally has a distinctive soft, bright aesthetic achieved by using Kodak Portra 400 film. The stylings and compositions are thoughtfully lit, calm, dreamy and tranquil… and I REALLY want to create portrait photographs which are that beautiful. That’s the dream. But that’s for a different blog.

Today was all about getting back onto the streets with the X100F after my ten day break. I’d recently purchased an extra pack of Instax Square film for the Fujifilm Instax SQ6 camera, so I had 12 shots to play with. The light was terrible and Wednesdays are always pretty quiet in Central London, but at least we’d escaped suburbia. I knew I wouldn’t have a lot of time for post-processing this week, so I shot JPEG only, and did my editing on the iPad with VSCO X. Here’s the story of today’s shoot:


I shot with a soundtrack today, which is a new thing for me.

Instax Square

I used 11 out of my 12 Instax shots around Soho at the beginning of the day. I love how unpredictable Instax film is. I have the Instax Share SP-2 printer that uses Instax mini film, which can be wirelessly synced with the Fujifilm X100F to produce prints on the go, but it’s not the same as using an Instant camera. Bonus points to the Huawei P20 Pro this week, for having a neat little scan feature in the camera that makes it really easy to make digital copies of my Instax photos for uploading online.


Soho

We initially took the Tube to Oxford Circus station, and decided to wander aimlessly through Soho along streets that were less familiar to us. In preparation for the creation of Curious magazine, I’ve been purchasing a few independent magazines recently to get ideas and inspiration regarding potential layouts, so I was really pleased to find a newsagent that stocked a whole host of them, and bought a couple more (“Huck” and “Hungry Eye”, in case anybody’s interested). I also got some really good Korean Fried Chicken from the @bapfoods food stall in Rupert Street, which was super yummy.


Chinatown

There were even more lanterns strung across the streets of Chinatown than usual after the recent Lunar New Year, but down at ground level the streets were pretty empty. I’ve noticed that Wednesdays are often like this during the daytime in London. We walked our standard one-lap “circuit” of the main streets, found a man cleaning windows who seemed very happy to have his photograph taken whilst he worked, and then decided to try our luck elsewhere.

Bonus photograph of PJ, because it’d be rude not to take such an opportunistic photograph next to a sign like that.


British Museum

“How did they end up in the British Museum?” I hear you cry. Actually, I’m pretty sure you’re not all that bothered, but I’m going to tell you anyway. We’ve been researching potential new street photography locations around London, and had read about Exmouth Market, which is held every Friday and Saturday. Unusually for us, our next street shot falls on a Saturday, so we thought we’d go and scout out the area in advance whilst we were within walking distance today. The route there took us past the British Museum, and it was pretty cold outside, so it seemed sensible to pop inside for a bit. We’ve taken some interesting shots in the past inside the V&A Museum, and were curious what the light was like inside the British Museum. Not great, was the answer. But there were some interesting artefacts, so it was a good opportunity to take some photographs anyway.


Tottenham Court Road to Barbican

So, all in all, it was quite a long walk. And once we arrived at the Exmouth Market location, neither of us were taken enough with it to want to bother coming back on Saturday. However, as well as our detour into the British Museum, we actually passed through a fair amount of photo-worthy locations en route. I particularly liked the Imperial Hotel in Russell Square, with its brutalist concrete facade. I also manage to take my first blossom photographs of 2019, which was surprising given how cold it has been recently.

Given my new-found interest in 120 film, imagine my delight when we stumbled across a camera film wholesaler in Mount Pleasant (I say stumbled “across”… I literally stumbled INTO the shop, thanks to being so fixated on the Portra 400 which I’d noticed on the counter that I didn’t acknowledge the doorstep. Way to make an entrance).

We made a much needed pitstop at a branch of Costa. I don’t even know why I went all MySpace with a mirror selfie whilst we were there, so I’m not even going to try to justify my behaviour. I took a couple of photographs of the same table with different customer sat at it, which I’m filing as a potential idea for a future series. A Day in the Life of a Chair. If nothing else, it’s a good excuse to sit in Costa all day.


Barbican

We had no idea where to finish our day’s shoot. We were both pretty tired by this point (in fact, we’d never really recovered from our decision to bypass our fellow travellers by power walking up a deceptively long and steep broken escalator at Oxford Circus station). My launderette fetish had reared its head earlier in the day, when I thought I’d found one in Soho, only to discover with great disappointment on closer inspection that it was a manned dry cleaners, so I did a quick google search of launderettes within a mile of Exmouth Market. The “prettiest” one seemed to be located at the Barbican, so we set off to find it.

On arrival, a sign on the wall proclaimed that photography wasn’t permitted. But that’s just one of those rules that’s just made to be broken, so I used my last Instax shot on those beautiful blue dryers, and took a quick snap with the X100F. We wandered around the Barbican Estate, wishing that the light was better for some shadowy brutalist architectural photography, took a few photographs anyway, and as always at the Barbican, got completely lost in the warren of high rises trying to find the Tube station.


Now that we’ve decided to bypass Exmouth Market, our plans for Saturday involve a ridiculously early start and a wander around Camden. Will the light be in our favour? Will we walk such a ridiculous amount of steps as we did today? Will I return home with more random purchases that I don’t need, like the awesomely-named “Lip Shit” lip balm that I bought today? Will I fall down any more steps? Find out in the next instalment of London Diaries.
Stay Curious,

Love from London x

London Diaries 6 – Sunday 3rd February 2019: Free Hugs in the East End


Neither of us felt in the mood for a mad one. I carried around the Sony FDR-X3000R action cam, thinking that I might possibly make a video this week, but that never happened. Mainly because I discovered that I can make slideshow videos of my photography on the iPad with minimal effort. It’s kinda nice not to give a second thought to those downvoting jerks on YouTube when a video has only taken five minutes to put together rather than five hours. Or days.

The day got off to a bit of a delayed start, as we had originally intended to travel into Central London from Burnham train station, only to rock up there and discover that there was a rail replacement service going on. We’re not fans of rail replacement buses (who is?), so we hopped back into the car and went to Slough train station instead.
Finally about to leave Slough. This is the happiest PJ has ever looked.
Playing with those camera settings on the train to pass the time.
Our plan was to spend a leisurely day strolling around Brick Lane. Once we’d finally made it over to the East End, it was pretty much lunchtime, but we made the odd decision to ignore the McDonald’s at Liverpool Street station, and walk over to the one in Whitechapel instead. Heads up: it’s further away than you’d expect. Especially on foot.

Fun fact about me: I don’t enjoy photography when I’m hungry. But here’s a little gallery of images taken pre-lunch, in those moments “in between locations”.

Once we’d refuelled ourselves with Whitechapel’s finest processed crap, we were ready to head over to Brick Lane.


Brick Lane

We love Brick Lane market on a Sunday. There’s a tangible atmosphere so strong, it’s almost a sensory overload. On a good day, there are so many musicians busking the streets, it’s quite surreal to hear the different performances merge into each other as you travel down the road. On sunny days, the light fills the intersections between the main stretch and the side roads, illuminating clusters of people, all of whom are wrapped up in the laidback spirit of the area. There are food stalls of every description; each one filling the air with the scent of their cooking. The street art that dominates nearly every available wall space is a fittingly vibrant backdrop to an equally vibrant area.

I spent too much time being indecisive about whether or not I was shooting video or photographs though, and ended up not really doing anything, other than going totally against character and accepting a “Free Hug” from a stranger. Damn my weakness for Japanese guys…

I wasn’t anticipating the “Free Hug” to be as enthusiastically delivered as it was. PJ captured my surprise well.

Colombia Road Flower Market

On a whim, it suddenly seemed like a really good idea to walk over to Colombia Road Flower Market. We’ve often been rather bemused, watching people wandering down Brick Lane carrying enormous plants and huge bouquets of flowers on their journey back from the nearby flower market, so we thought we’d go and check it out for ourselves.

We had no idea of the best route to get there, so we just used our best detective skills and retraced the steps of everybody who was carrying foliage. Just call us Sherlock and Watson.

Here’s another word of advice (this blog is just one big old public service announcement today): EVERYBODY is at Colombia Road Flower Market at 3pm on a Sunday, so if crowds aren’t your thing, avoid that time like the plague. I genuinely had no idea that plants were that popular. All the plants in my house are made out of plastic, because I appear to be the victim of some sort of curse that prevents me from keeping real ones alive.


A bit of B Roll…

I think in the end we were only taking photographs for about three hours. We got a little lost on our way back to Liverpool Street station because there was no trail of clues to follow like there had been with the plants, and I’m normally too stubborn to admit defeat and resort to Google maps, because darn it, I should just KNOW instinctively how to get everywhere. We had to hastily hide our cameras when we did eventually get back to near the station though, because an enormous giant of a man had taken HUGE offence to being photographed by another street photographer, and was storming down the road, yelling obscenities and out for blood. It made me pretty thankful that we’ve never experienced anything like that. Yet.

There’s a real-time ten day hiatus between this London Diaries instalment and the next, because our schedules don’t permit us to get out shooting in that time. However, I’m so terribly disorganised/busy (delete as per your kindness level), the next blog will be online within the next 24 hours of me posting this one, in which you can find out the effect that a ten day break has on me creatively.

Be sure to say hello in the comments so that I know that people are reading this blog during my lifetime, and it’s not just going to be used as a posthumous look at the ramblings of “that quirky girl with the camera”.

Stay Curious,

Love From London x

London Diaries 5 – Sunday 27th January 2019: Mood Board


We didn’t anticipate just how much it was going to rain that day.

In all honesty, I’ve had a lot of difficulty writing up this particular Sunday, because it wasn’t a typical London shoot. My original plan was to spend the day experimenting with the photographic capabilities of my newly-acquired Huawei P20 Pro smartphone. The unanimous advice I received from friends was also to take the Fujifilm X100F “just in case”, so that’s what I did.

First up, I learned that selfies captured on the Huawei P20 Pro are unforgiving. And that I look ultra-miserable first thing in the morning.

To cut a long story short, it was apparent pretty much instantly that to take anywhere near a decent photograph with a smartphone, I’d have to stand pretty still – the polar opposite of my usual street photography technique, which can only be described as “hyperactive”. Well, it COULD be described in other ways, but none of them as kind.

So the X100F made its appearance relatively early on in the day. But so did the rain. PJ (@pj.pix) and I spent a little time strolling around Soho, met up with fellow Instagrammer Gav Hardy (@gavhardythings) for a coffee at Soho Grind (home of the “French Lessons Given Downstairs” neon sign that’s a seemingly permanent inclusion on the London Street Photography Bingo Card), and then wandered around in the rain a little more.

Today’s edition of London Diaries has ended up as more of a mood board than a diary, for several reasons. Firstly, I’m not sure what’s going on with me at the moment, but I’m having some kind of creativity overload, which sounds pretentious AF and probably is. I can’t seem to give any one project my complete attention, and instead I’m dipping in and out of things constantly, completely buzzing with ideas. It would be much better to just do one thing well, but it is what it is.

With that in mind, the second reason for this smorgasbord of “stuff” is that once we left Soho Grind, I spent the afternoon playing with the video capabilities on the X100F, something that I’ve not tried before despite owning the camera since October 2017. Interestingly, I discovered the same problem as shooting with the Huawei – any movement made the footage unusable because there’s no in-built image stabilisation. Ive bought a Sony FDRX3000R video action cam for future videography, so that I can actually film and walk simultaneously. I’m pretty sure that a logical step would be to do vlogging, but it’s completely out of my comfort zone, so I can’t imagine that I’ll be doing that any time soon. I’m going to have to find a more creative way to make my videos more personal without having to actually get in front of the camera, feeling and acting ridiculously awkward and self-conscious. Aspergers is a blessing and a curse.

Bonus Huawei P20 Pro photograph. Just randomly inserted here for aesthetic reasons.

I found an abandoned umbrella on a side alley off of Carnaby Street, which cheered me up immensely, and allowed me to shoot more than I would’ve otherwise been able to with my non-weather sealed gear. Below are the results of my day flitting between camera and phone, and photography and videography:


Provia JPEGs with Fujifilm X100F

I set the X100F to shoot Provia simulation JPEGs only. Normally, I tend to shoot ACROS simulation JPEGS + RAW – I like the black and white JPEGs straight out of camera, and use Lightroom Classic CC to edit and convert my colour RAW files. Plus, I prefer using the LCD with a monochrome display rather than colour when shooting, because I can gauge the light and shadows better in my images.

But this time, I opted for Provia JPEGs only, because I knew that the following week was going to be super busy, and I wasn’t going to have the time to spend in Lightroom messing around with RAW files. I get asked a lot about my editing process. Generally, I use a combination of Lightroom Classic CC, Snapseed and VSCO X to edit my photographs. Why? Because I don’t know how to achieve my desired results using just one program. It really is down to ignorance, and nothing else. Having only shot JPEGS meant that I could skip the Lightroom step and just make edits on the iPad with Snapseed and VSCO X. I’ve put before and after edits on here today. I’d have liked to do sliders, but I don’t know how to do that either.

The two photographs above just worked better with a black and white edit. Each photograph has its own individual mood that needs bringing out. I have about twenty base preset options that I’ve created in Lightroom as options, although a lot of the time I don’t use them. In VSCO X, I gravitate towards various strengths of the AGA, B, E, SS or SUM ranges of presets as starting points for most of my second-level edits. And that’s enough spoilers for one day. This is only the fifth instalment of London Diaries after all.


Huawei Pro P20

There’s quite a lot of features to the camera on the Huawei P20 Pro, but as you know, this isn’t a technical kinda blog. If you’re after all the details, Google is your friend. There IS the option to shoot RAW files, but I wasn’t about that today. First impressions: the black tones are REALLY black, aperture priority mode is pretty stunning, and the black and white shots don’t look like they’ve been taken with a smartphone (even a 40MP smartphone). Stick it in standard “photo” mode, and it’ll automatically select the optimum settings for the scene. There’s zero image stabilisation going on, so it’s important to take your time and shoot carefully. It’s never going to be my first choice for street photography. But if I’m out without the X100F and I’m relying on the old “the best camera is the one you have on you” thing, I can think of worse options to be stuck with.


Videography with Fujifilm X100F

I had to just bin all my video taken whilst I was walking around Soho, once I realised that videoing whilst in motion resulted in nauseatingly shaky footage on playback. This little video that I’ve cobbled together with what was left certainly isn’t the best video I’ll ever make (by a long shot. I hope), but it was fun to make, and that’s what matters. I try to remind myself all the time that everybody has to start somewhere – that this time last year, I’d never really shot any street photography at all, and yet now I feel comfortable that it’s my “thing”. I look at my first street photographs and remember how I would nervously “spray and pray”, and then spend time editing the hundreds of pointless resulting photographs with frankly horrendous presets. Maybe in 12 months time, I’ll be making videos that are a million times better than this one. Maybe not, but I can only hope.

Next time, we’re shooting around the East end of London. Will it be with the X100F? Will it be with the Huawei? Or will I have gone completely insane and decided on a whole new project? Find out, in the next exciting instalment of London Diaries, coming…. whenever I find time to write it.

Stay Curious,
Love from London x

London Diaries 4 – Sunday 20th January 2019

This week, @that_fujifilmgirl, @ashsmithone & @pj.pix headed into Central London on a Curious Camera Club mission to chase light, characters and caffeine.


This is the first and last time that I’ll refer to myself in third person. Apologies for London Diaries 4 being published a day later than planned – I’ve spent this week attending a business course, editing photographs, revamping the website, and giving myself muscular injuries. I’m going to pretend that that last one was due to some fabulously glamorous pilates-on-a-tropical-beach mishap, rather than just overestimating how many overladen supermarket carrier bags I could carry in one trip.

Sunday was one of those gloriously sunny, not-a-single-cloud-in-the-sky kinda days. In other words, the complete opposite to the weather I dealt with the previous Wednesday in London Diaries 3. Shooting in any extreme condition has its challenges, though. Before we’d even begun, I knew I’d come home that day with less candid street portraits and more artsy shadow shots.


The three of us met up in Trafalgar Square about 9:30am, and were forced to go to Caffe Nero because the local Costa Coffee doesn’t open until midday on Sundays. How do they expect people to function without them on a Sunday morning? Our plan was to spend the morning around Leicester Square and Chinatown, and then head to the South Bank and Tate Modern in the afternoon. And for once, the plan was adhered to. Once sufficiently caffeinated, we headed back onto the streets to get some shots around Trafalgar Square to check our camera settings and get “into the zone”. Recently, I’ve been favouring shooting with continuous zone autofocus, three interchangeable ISO ranges programmed, aperture set to AUTO, and my shutter speed set to the rear command dial. In case anybody cares.


Trafalgar Square

I’ll be honest: I don’t generally enjoy doing photography in Trafalgar Square. It’s too open, too busy, and often full of unremarkable tourists. It’s extremely difficult to create interesting compositions in these conditions. I took several generic snapshots, before renouncing the little dignity I have by laying down on the floor, in a desperate attempt to come away with at least one photograph that I’d be pleased with. Sometimes we all do strange things in the pursuit of art. But to be fair, I think this was the first photograph that I’ve taken in Trafalgar Square, aside from during special events like Japan Matsuri, that I deemed “good enough” to post on my Instagram feed. It was well received, and joined my 1k Club. Worth it.


Leicester Square & Chinatown

The morning yielded twenty photographs that I was happy to spend time post-processing. I get asked a lot on Instagram about my editing process. In fact, it’s almost my most frequently asked question, second only to “are your eyes real?” (to which I always want to answer, “Well, they’re more real than my boobs…”, but I normally behave myself). Once I’ve got into the groove of running this website and I’m managing my workload better, it’s my plan to make a video all about my post-production. Bear with me in the meantime. Good things come to those who wait.

Since the New Year, I’ve been consciously trying to approach my photographic style differently. I began experimenting with street photography in January 2018, and towards the latter part of the year, I felt like I became stuck in a bit of a comfort-zone rut. Whilst I have an instinctive tendency to shoot candid street portraits, I think it’s important not to limit my attention solely to those kind of shots. I gave Alice the Living Doll a quid to take a posed portrait, captured people from wider angles than I normally would to get more of a sense of context with their locations, and tried to get images using shadows or reflections. There’s even two shots in my final collection with no people in them at all (but one of them DOES have some pretty awesome looking cakes). The best discovery of the morning was that the Odeon in Leicester Square is staffed by possibly the nicest people I’ve ever met, who not only tolerated us entering the cinema with the sole intention of shooting photographs from their upstairs gallery window, but actively encouraged it. They even allowed us to use their surprisingly clean toilets without expecting us to make a single purchase. Odeon employees: you are the greatest. Your gallery window, not so much, as it was covered with some kind of frosted effect film to promote a movie that was ironically titled “Glass”, and was impossible to shoot through on this occasion.


South Bank

By some bizarre coincidence, I also ended up post-processing twenty photographs from my afternoon on the South Bank. Although I opted to give several of them black and white edits to really emphasise those impressive shadows, I had a lot of fun trying to make my more cliched South Bank shots look more original. I sometimes use the coloured flash filters on my Instax SQ6, and I tried to emulate a similar effect with the second photograph in the gallery above. I learned from my mistake about not getting close enough to the man in the fourth photograph to get my intended focus of his phone screen, and managed to get a vastly improved similar shot at the Tate Modern. But that’s not for now.

Much as I try to avoid cropping my photographs as much as possible, that last image needed a fair bit of cropping to get the look I was striving for. But what can you do when you’re shooting from an opposite roof terrace, and your fixed lens doesn’t allow for zoom? Because of the crop though, the image quality isn’t as crisp as I would like.


Tate Modern

Our last destination of the day was the Tate Modern. We headed straight for “Kate’s Stairs” (as previously pilfered from the ever-tolerant Ash). Obviously I took the opportunity to shoot Ash walking up his beloved concrete staircase, and became disproportionately excited when a child on his bicycle started constantly riding back and forth through my frame. The less cliched shots, the better, eh? For the second time in a week, I sucked up my major fear of heights and ventured up to the tenth floor in the name of photography. Well that, and the fact that the always-awesome @martynlphotography was camped up on the viewing balcony with his camera gear, and I wanted to say hi.

I think overcoming the paralysing fear was worth it for both the skyline shots and managing to rectify my whole stealth “photographing somebody else’s photograph through their phone screen” attempt. If you follow me Instagram, you’ll have already seen that shot on my feed. I was feeling pretty smug that I’d managed it in the end.


And that was that. We all said our goodbyes and went to our respective homes to continue our lives for the next week. Cue subsequent pilates injury.

On Sunday 27th January, PJ and I are heading back into Central London to hit the streets again. But this time, it’ll be a little different, because I plan to only shoot that day using the camera on the Huawei P20 Pro, for several reasons:

  1. I just got a Huawei P20 Pro
  2. It boasts 40mp Leica lenses, so that’s gotta be worth a try
  3. It’s taken me an entire week to get this blog post up, because my life is manic. A large part of that is because I shot all the photographs this week in RAW format, so they needed post-production. Even though the Huawei P20 Pro has the capability to shoot in RAW, I’ll be using images straight out of camera/phone, and eliminating a whole lot of extra work
  4. I’m actually really embracing this whole “It’s 2019, get out of your comfort zone” philosophy that seems to be my thing now

So, as always, thanks for reading, and let me know your thoughts in the comments. Also, thank you to everybody who indulged me in my request to leave random words in my comments section on Instagram last week. I now have some very awesome titles for several upcoming photo series. And it confirmed an algorithm theory. I’ll write a Coffee Thoughts blog all about that soon.

Love from London x

London Diaries 3 – Wednesday 16th January 2019

Wow, it’s been a busy week so far! The Curious Camera Club HQ (AKA whatever branch of Costa Coffee we’re closest to at the time) has been unofficially hosting planning meetings, and we’ve been buzzing with ideas about how to grow the coolest camera club in London.

You may have noticed that we’ve started featuring some of the amazing photographs that you talented lot have been hashtagging with #curiouscameraclub. We’re really impressed by the standards that you’re setting with your submissions, and can’t thank you all enough for getting involved so early on in our development.

There will be so many opportunities coming up to get involved, help build our community, and get your awesome photography promoted. But that’s for another blog…

Today’s blog is a London Diary with a difference.

Firstly, in an unprecedented (and probably never to be repeated) fit of enthusiasm, I’ve actually managed to publish it within 24 hours of actually shooting the photographs. You’re impressed, right? We all know its probably a one-off, but you’ll tolerate me fondly reminiscing in the future about “that one time I managed to efficiently adult without procrastinating” because we’re friends now. And friends let friends overhype their little triumphs. Just ask PJ.

On the subject of PJ, that’s the second difference today. I shot without my wing woman. I went to London to have lunch with my “Wicked Stepmother”, who is wicked only in the positive street-slang version of the word. I’d originally intended to go armed only with the Pentax P30 and the remaining shots left on the roll of Dubblefilm Sunstroke 35mm film, but there are no words adequate enough to describe just how terrible the light was. I don’t mind wasting film, but I DO mind wasting money, and there’s no way I would’ve taken photographs with it yesterday that I would’ve been happy to pay to get developed.

So: Fujifilm X100F, six hours, 26k steps, a lot of coffee, Wanna One through my earphones, and a bit of a preconceived plan that I hoped would get some good results despite the weather. Let’s do this London Diary thing…

This week, I’ve split my photographs into six mini-series of themed images, rather than grouping them by location.

 

MIDWEEK MISCELLANEOUS

For this first series, I played my standard game of looking for cool people and compositions on the fly, with little forethought to specifics. This was a pre-lunch wander around my familiar territory, but with a massive difference: due to the terrible weather, the streets were pretty much deserted, which I hadn’t really considered might be the case beforehand. This meant I had to up my observational skills a LOT, because opportunities definitely weren’t going to be as frequent as they are on weekends.

Midweek Miscellaneous 1

Walking past the windows of various cafes and restaurants, it was clear that that’s where everybody was hiding. I couldn’t blame them – it definitely looked far more cosy in there than it did outside. I was really pleased with this shot – I like the juxtaposition between the warm colours through the window, and the cold bleakness on the righthand side of the photo. I also really like the fact that nobody noticed my camera, so the scene feels far more natural than it would’ve done if anybody had made eye contact. That “hot” portion of the sign inside the cafe was an added bonus, because it emphasises the distinction that  I wanted to make between the inside and outside.

Midweek Miscellaneous 2

Incoming pigeon! There were far more pigeons in Leicester Square than there were people. This guy was sitting quite happily absorbed in his smartphone, whilst an enormous flock to his left jostled for discarded McDonald’s. I took about three photographs of this scene in the hope of getting some kind of decent “bird action”. This one, with my shutter speed at 1/800, worked well.

Midweek Miscellaneous 3

One of my planned projects for today was to shoot a “Cool Women of London” series. And, spoiler alert, I did. It’s coming up next. Outside Charing Cross Station was this guy: embodying “effortlessly cool”, but sadly the wrong gender for my project. I was still genuinely concerned at this point that I wasn’t going to capture any decent photographs all day through lack of options, so I snapped him despite his Y chromosomes.

Midweek Miscellaneous 4

I love watching people take selfies. Let’s face it, we’re all guilty of that “OMG, do I really look like that?” panic whenever that front camera opens. But it was cute to see how much effort this guy made to get his already sleek hair perfected for the shot.

Midweek Miscellaneous 5

I’m still not really sure exactly where that blue reflection in her glasses came from, but I like it almost as much as her contouring. It had been drizzling with rain all morning, so by this time, I now had crazy frizzy hair, hair-envy over selfie guy, and now cheekbone envy too.

Midweek Miscellaneous 6

I can’t even explain how much I wanted a solo shot of this pizza-toting, tartan-fabulous woman for my series, but I just didn’t have time to position myself in the sudden onslaught of pedestrians. I was happy enough with this shot, especially with the complimentary extra pop of red from the man behind her. This repeat in colour helps to draw the eye (like you weren’t going to be looking at the stand-out awesomeness anyway).

Midweek Miscellaneous 7

The nineties called. They wondered if your time machine was broken, and you needed help getting home.

Midweek Miscellaneous 8

Not the most exciting photograph I’ve ever taken, for sure. But that’s a beautiful window behind him, and I imagined that he was phoning the enquiry line for the letting agents because he was smitten with it too. Extra love for that gorgeous shade of blue paint.

Midweek Miscellaneous 9

A little part of Oxford Street that’s gone all Shoreditch. I love stickers… maybe not the random £20 price tag that someone’s whacked up there to join in, but generally I really like checking out sticker art.

Midweek Miscellaneous 10

The very first time that PJ and I ventured into Central London to do street photography (almost exactly a year ago), we chatted to one of the bicycle taxi guys about the Windmill Club, which at the time was lit up with all its glorious neon. This place survived the Blitz, but it couldn’t survive the scandal it faced last year, and is now empty and abandoned. It had a pretty rich history, and is worth a Google. Without the bright lights, this image works better in a more sombre black and white.

 

 

COOL WOMEN OF LONDON

I was looking for ten different women for this series who were all uniquely cool. I think I found them. I’ll not caption them individually – I don’t think words are needed. It’s useful to go out on street shoots with potential themes or projects in mind. It helps to kickstart your creativity, and keeps you focussed. Look at me, going all “guru” like Ash.

Cool Women of London 1

Cool Women of London 2

Cool Women of London 3

Cool Women of London 4

Cool Women of London 5

Cool Women of London 6

Cool Women of London 7

Cool Women of London 8

Cool Women of London 9

Cool Women of London 10

 

NOT HUMAN

Not just a way of describing a pre-coffee me. I made an effort to look for things to capture that were still interesting without a human element. Granted, there’s only five photographs in this series, but it’s way out of my comfort zone, and everybody’s got to start somewhere, right?

Not Human 1

Five dead pot plants on a windowsill. I found this totally relatable: Those pretty coloured pots, the good intentions, and then the inevitable, neglectful demise. It’s why I only have plastic plants in my house nowadays (true story), and why I’m amazed that I’ve managed to keep four children alive for so long. I’m joking, obviously. Motherhood is the sole aspect of my life that I feel I’ve got down. If only I could figure everything else out.

Not Human 2

I’ve photographed the lower half of this building countless times as a background, but it really is beautiful when you look up.

Not Human 3

I’m not even gonna lie – it took a substantial amount of tinkering in Lightroom to get this photograph looking remotely like it was shot in Golden Hour, despite the fact that it was. But hey, that’s what an Abode subscription is for.

Not Human 4

Because everybody loves a good dog photo. Even me, despite being totally a cat person.

Not Human 5

Moody London skyline, which looks even moodier in monochrome. This really shows the kind of cloud cover I was trying to shoot in.

 

ABSTRACT

Abstract 1Abstract 2

Oh, how very Instagram. In fact, they’re so Instagram, I’ll probably post them tonight to promote this blog article. This might be the grubbiest phonebox I’ve ever seen, but it did make for an interesting frame for my shots. I liked the extra pop of red from the umbrella in the second one. It definitely pays to be patient sometimes to wait for the right elements to elevate the composition.

 

GOING TO BE ALRIGHT

It’s no secret that I’m terrified of heights. But when it’s pouring with rain, and you know there’s a decent cup of flat white to be bought on the tenth floor at the Tate Modern, what can you do? Suck it up, remind yourself that there’s some cinematic post-processing techniques you want to experiment with, and focus on that handy, reassuring self-help lighting.

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MONOCHROME ART / KATE AT THE TATE

This last series has two titles, because “Kate at the Tate” is so cheesy. I knew I wanted some black and white shots in the Tate Modern today, and I also knew I wanted some shots of “Ash‘s Staircase”. You know, just so I can wind him up and challenge him for ownership.

 

Kate at the Tate 1

I saw this lady sitting framed by the doorway as soon as I entered the adjacent gallery, and I really  wanted to take this photograph, but she was totally on to me, so it was awkward. So I did whatever any good street photographer would do: I started to fake making a video with my camera, commentary and all, panning the room and hovering my shutter finger to take this once I was facing the right direction. I’d mentally composed the shot, and I was so relieved when I captured it on the first attempt. This is exactly why Ash is in charge of writing tips, by the way. Mine are a little… flamboyant.

Kate at the Tate 2Kate at the Tate 3

Photographing people looking at art is one of my favourites. I didn’t intentionally follow this man around the gallery like a creepy stalker, by the way. It was purely accidental creepy stalking.

Kate at the Tate 4

Like the effect of double exposures, but suck at composing double exposures? Try getting really close to a window at nighttime, angle your body so your pesky reflection doesn’t end up in your shot, and hope for the best. I know, I know, these tips are bloody awesome.

Kate at the Tate 5Kate at the Tate 6

And finally, here are the shots of the newly renamed “Kate’s Staircase”. Which is a good place to end on, because I feel like if I push it any more, Ash will use our workshop on Sunday to announce that Chinatown is henceforth going to be known as Ashtown, and I don’t think I could handle that.

So that was my experimental Wednesday shoot. I really enjoyed trying new things, although I missed PJ immensely (love ya, babe). Don’t forget to let me know in the comments below which series you liked best out of the six. Today has been the last day of the Launch Features on @thecuriouscameraclub Instagram page. Tomorrow is the start of Daily Features, which once you know all the details, is even more exciting. And once I hit publish on this baby, I’ll start writing something that’ll let you guys and girls in on all those details. Sleep is for wimps. And sensible people.

Until next time,

Love from London xx

London Diaries 2 – Sunday 6th January 2019 (Pt. 2 – The West End)

For Part 1, click here. I’ll wait.

Have you ever seen something that’s just totally blown your mind and made you question everything you thought you knew?

In between Christmas and New Year, I was looking at Google Maps (because that’s how I spend my free time. Dontcha wish your girlfriend was hot like me?), and I noticed Charing Cross Road. I’ve been to Charing Cross Road in the past, to go to Foyles, and Tin Pan Alley (Denmark Street), but for some unknown reason, I’ve spent the past year being completely oblivious about it connecting Tottenham Court Road underground station and China Town. Instead, every time we’ve finished taking photographs for the day, but really wanted to go to Primark at Tottenham Court Road, we have walked this clockwise route as seen on my excellent illustration below:

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PJ and I have walked literally thousands of unnecessary steps over the past twelve months because WE WERE TOO DAFT TO LOOK AT A MAP. Well, no more. It’s 2019, and things are changing. So, we got on the tube at Liverpool Street and took the Central Line to Tottenham Court Road.

Charing Cross Road

After about five minutes’ walk, amidst much exasperated swearing upon realising that Google Map wasn’t lying, we arrived at China Town. Charing Cross Road itself also provided some decent photo opportunities too.

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Above and below: Two very different ways of wearing headphones…

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We could almost be back in Shoreditch with this street art. Although I pushed the shutter button because of her decision to dress entirely head to toe in red. She means it. I admire that.

 

China Town

You can tell when I’m completely “in the zone” because I keep my camera in one orientation.

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I was a little concerned that we had made a mistake leaving the East End, considering how awesome the morning had been, but I needn’t have worried. Brick Lane had been relatively quiet compared to previous trips, but China Town was heaving with people.

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Google Maps had also told me of the existence of a French Roman Catholic Church in China Town, which was too bizarre for me to compute, but we found that too, nestled between a cinema and a casino. We wandered in, and sure enough, everything was in French. It’s so strange that I can visit somewhere so frequently, and still know very little about the place.

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Leicester Square

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As the wonderful @mahnyi would say: She was there. As always.

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It was the last day of the Christmas Market in Leicester Square. We’re definitely. “Christmas-marketed” out after our many trips in November and December, so we didn’t wander in, although we were tempted to go and see Santa and ask if he could assist us to become rich and famous photographers by next Christmas.

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We always wander into Leicester Square, mainly to use the relatively clean toilets in the McDonalds there. You can have that bit of information for free. Decent toilets can also be found in Liberty if you’re in the Carnaby Street area. But NEVER go to the ones in Primark at Tottenham Court Road. You have been forewarned.

Back into China Town

Because we were slightly ahead of schedule, as we’d eaten at Liverpool Street station earlier than planned, we went back for more.

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Above: I don’t know why he started miming when he saw my camera. Maybe he was supposed to be working, and was trying to blag it, in case his boss saw my photograph.

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Another thing I’m pretty ignorant about is the Moon Festival. There seems to always be banners up in China Town wishing everybody a Happy Moon Festival. I’m not sure if this is a permanent event, or they just can’t be bothered to take the signs down.

 

The walk to Oxford Circus tube station, via Carnaby Street

I photographed quite a few dogs around London today, but none were as ridiculously cute as this one. They say that owners and dogs start to look alike. I hope that’s not true, because my dog is a living, breathing tumbleweed.

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He seemed super surprised that I took his photograph, despite the fact that he was wearing that hat.

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I went all cliche for this photograph. I think Central Cinema is photographed almost as frequently as that steamy window at Beijing Dumpling in China Town.

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I don’t know where they were heading, but it’s important to note that these people had taken the time to glue Haribo shapes to their shiny crowns, so it must’ve been somewhere important.

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This is probably my favourite photograph I took all day. I love capturing genuine, spontaneous emotion in people. I wonder if there’s a man somewhere in the world who could make me smile like that? Knowing my luck, he’d probably be gay.

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I also really love this photograph. I often wonder whether or not the people that I capture know how beautiful they are.

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And finally…

This:

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I really intend to do awesome things this year. I don’t think I’ve started a new year so full of optimism for quite a while. Even this lingering flu isn’t getting me down as much as it’s trying to. PJ and I aren’t heading into London together until Sunday 20th January, which is also the day of @ashsmithone and my street photography workshop. There’s still places available, so check out all the information here, and drop me a message if you have any questions or would like to book.

I’m heading into London next Wednesday, but I’m considering focussing on film photography only that day. My roll of Dubblefilm Sunstroke still has 21 exposures left, and there’s not a lot of local “things” I fancy photographing and paying to develop. I’m sure there’ll be more Coffee Thoughts blogs in the meantime though, and plenty of Instagram posts. Until next time,

Love from London x

London Diaries 2 – Sunday 6th January 2019 (Pt. 1: The East End)

This post contains Amazon Associates links

I tried to write a blog about our last trip into London of 2018, but I just couldn’t find the time, what with Christmas and New Year and being struck down by the Plague (it might have just been the flu, but it felt like a near-death experience).

In the end, after several failed starts, I decided that it didn’t matter if the world never knew fully about what we did that day. In summary, it was a Wednesday trip into the capital, starting in Shoreditch and ending in the West End. We met up with two other Instagrammers briefly at lunchtime (@ashsmithone and @martynlphotography), saw a man wearing a giraffe onesie in the middle of the City, and had a generally nice time.

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I also took three photographs that day which ended up featuring in my Official Instagram Top Nine of 2018, which either means I was totally on fire, or more people were bored on Instagram in the run up to Christmas, just blindly liking any old crap on their feed. I’m telling myself it’s the former. And you will agree with me, because you’re nice like that.

Back to today.

I’ve been a little… depressed (?) since January started, and I’m not really sure why, except maybe having the Plague had something to do with it. I also impulsively announced on my Instagram that I wouldn’t be posting any of my archives from 2018 this year, and obviously because announcements on Instagram are sacred, I couldn’t possibly go back on that. Even though I was frustrated beyond belief that I worked so hard during December to build my Instagram engagement up, and now I was having to let it stagnate and lose momentum. Eurgh, I don’t know why I care. But I do.

So the first London street shoot of 2019 could not come quick enough.

PJ and I decided that we would bring along a teenaged daughter each today. Like apprentices, but with facial expressions of Claude and Karen. The day didn’t get off to the best start when what I thought was my alarm clock tone turned out to be Paula calling me to say she was outside my house, and I’d totally overslept.

Eventually we got to the train station, and I was finally going to take some photographs! One flat white and twenty minutes later, we arrived at London Paddington, and headed straight down to the Underground to head over to the East End.

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The tone was set for the day almost instantly, when another Tube train pulled up alongside ours, and I joked that I wasn’t even going to be subtle about photographing this guy on the other train, because what could he do? It turned out he was pretty pleased about having his photograph taken, and suddenly I felt all hyper-inspired. Today, I was going to photograph EVERYBODY.

I took 455 RAW photographs over about a four hour period, and kept and edited 368 of them on Lightroom Classic CC when I got home. I was shooting RAW + ACROS JPEGs, but I decided not to keep any of the JPEGs. I wanted colour photographs, and I wanted them to look exactly how I chose.

Obviously I’ll not be uploading all the photographs here, because load times. Plus that would be insane. I’ve split this blog into two parts – the East End and the West End – because we did cover a lot of ground today.

Petticoat Lane Market

Petticoat Lane Market used to be awesome. I remember my dad taking me there several times when I was younger, but nowadays, it’s very “rough and ready”. I’m sure if you have time to rummage through the racks, there’s bargains to be had, but there’s nothing special at surface level. I don’t normally take many photographs there, but this time I came home with about 40 images. The normal vibe of “WTF are you doing with that camera out?” that I normally feel emanating from the stallholders and customers was completely absent today. Was it my mindset, or a new 2019 thing? I’m guessing my mindset, because when I reviewed my images, there were a lot of scowls going on.

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Trying to find Brick Lane

A bit of wandering around Whitechapel because I’m too stubborn to resort to Google Maps. Seems completely sensible, right?

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Brick Lane

We reached Brick Lane eventually. It was far less crowded than it’d been on previous Sundays – without the familiar buskers, and  with probably only half the food stalls that are normally there. The vintage camera stall was there though, so I was happy. The bakery had sold out of their famous Rainbow Beigels, despite the fact that it was still early. The girls really enjoyed photographing all the street art, and there were plenty of interesting people around for PJ and I to photograph.

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But the best surprise of the day was when we rounded a corner and stumbled upon…

London Fashion Week Men’s 2019

I’ve never seen so many fashionistas in one place before. I was like a kid in a candy store – totally spoiled for choice as far as subjects went. I’ve never thought to look up when fashion events are going on in the capital, but I’d really like to have the opportunity to shoot another one. So many beautiful people! Pretty much every other photographer that was hanging around was carrying a Canon EOS 5D. I had no idea they were so popular.

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And with that, we headed back to Liverpool Street Underground Station to travel over to the West End. We were halfway through our allotted time, and there was a very important shortcut that we’d recently realised existed, and we needed to check it out. And obviously, China Town awaited.

I’ll endeavour to get Part 2 completed and uploaded ASAP. There are some sweet shots in there 😉

Love from London xx

 

 

 

 

 

London Diaries 1 – Wednesday 12th December 2018

Hi. Here’s the 411:

London Diaries is a blog documenting the street photography adventures of Kate (@that_fujifilmgirl) and PJ (@pj.pix): two women who, through some sort of bizarre mid-life crisis, inexplicably choose to frequently wander the streets of London with cameras in the name of art.

We have been best friends for 14 years, having initially bonded over a mutual dislike of everybody else at a baby group that neither of us wanted to attend in the first place. In 2016, we invested in a pair of Canon Powershot SX420 IS cameras, so that we could take an ungodly amount of photographs of squirrels and trees and interestingly-shaped fern. Unsurprisingly, within a year or so, the thrill of capturing robins with a 42x optical zoom got a little less thrilling, and we needed a new game plan (and camera upgrades). Despite really loving photography, the problem was we had quite plausibly photographed every tree in the local forest already. We needed to find new locations to shoot, where the subjects would be ever-changing. Enter street photography. And better gear.

Now approximately once a week, PJ and I get on board a Great Western train out of Slough, accompanied by her Sony A6300 and my Fujifilm X100F, and head into Central London. Inevitably, she will provide the soundtrack to our day – randomly bursting into vague snippets of songs (often with brand new lyrics) that she deems fitting to whatever moment we find ourselves in. Recently, this has mainly been Peaches by The Stranglers, for reasons that are unclear even to her. If you don’t have a friend like this, I highly recommend finding one. We drink a lot of coffee, walk a lot of miles, talk a lot of nonsense, and shoot a lot of photographs. It’s the best mid-life crisis I could’ve hoped for.

 

Today’s shoot

Despite the presence of advent calendars and dwindling bank balances, we suddenly had a shock realisation that Christmas is just around the corner, and therefore our opportunities to get out and shoot would be somewhat limited over the next couple of weeks. So we squeezed in an impromptu midweek shoot, with the vague idea that we would head over to Shoreditch in East London to check out the Wednesday vibes, having only shot there at weekends previously. Shoreditch is famous for its street art, hipster eateries and vintage shops, so it’s always a good spot for a wander.

 

 

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Photo courtesy of PJ ( @pj.pix ), who has managed to capture my best side. The side where my increasingly infamous “concentrating” photography face/borderline-murderous look isn’t visible. One of the many reasons she is my best friend.

 

 

My vague objective: To shoot .jpeg only today (partly as an experiment, and partly because what is life without a little stress?)

Camera settings: Shutter priority, film simulation bracketing (ACROS, ACROS+R, and Classic Chrome).

Camera: Fujifilm X100F, 23mm lens.

Time of shoot: 11:29 – 15:43.

Number of coffees consumed: 3.

Distance covered: 4.5 miles.

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Today’s route

 

You might have noticed from this map that we didn’t actually go anywhere near Shoreditch. There were three contributing factors to this:

  1. Once we arrived at the train station, every train out of Slough was either cancelled or delayed due to an earlier incident. We didn’t end up pulling out of Slough station until about 10:30am, and we all know how there’s only about five minutes of daylight this time of year to shoot in as it is.
  2. Because of all the delays, the train carriages were PACKED full of passengers. I spent the next hour stood squashed up against the door, effectively being given an unsolicited lap dance by a burly stranger, whilst the couple next to me had one of those entertaining, under-the-breath style arguments about the inappropriateness of the woman’s patronising tone towards her partner. The journey was hot, and not in a good way. The train also had some kind of electrical malfunction partway to its destination, and the driver was forced to literally try “turning it off and back on again”. Not just a quick fix for computers, it seems.
  3. By the time we arrived at London Paddington, it was 11:30am, and it was FREEZING. The kind of freezing that forces you to go to Primark to buy additional layers. And once we found ourselves outside Primark at Marble Arch, it seemed daft to get on the tube to go elsewhere to shoot. Today’s route was decided: a standard Marble Arch to London Waterloo wander, via Oxford Street, Soho, Regent Street, Piccadilly Circus, China Town, Leicester Square, Trafalgar Square, Jubilee Bridge, and the South Bank. Potentially a whole wealth of street photography opportunities.

 

OXFORD STREET

 

Ah, Oxford Street. Shopping Mecca for masochists. Especially in December. It has a well-deserved reputation for being… busy. Ordinarily, this would suck, but for street photography purposes, it’s pretty awesome because you’re automatically super close to a whole range of interesting people, all of whom are so focussed on getting to their destination and away from Oxford Street, they barely notice your camera at all. And if they do, they don’t care. They’re busy surviving Oxford Street.

Six months ago, I had a tendency to “spray and pray” in this area – put the camera in burst mode and hope to catch a chance interesting facial expression or outfit. Which was fine. It served its purpose as an exercise in building my confidence and reassuring me that people, even Londoners, don’t generally punch people in the face for taking their photograph. There’s no shame in doing this, and in fact, if you’re new to the world of street photography, I’m going to go right ahead and recommend it. Succeeding in capturing a few chance images that are beyond your expectations is a really good incentive to get out shooting again, and over time, you will refine your technique, develop a more natural eye for composition, and come home with more quality over quantity on your SD card (and disable that burst mode). That old adage about your first 10,000 images being your worst is really true, and whilst you can gain pointers from other people’s experiences, nothing will improve your results better than just making the effort to go out with your camera and shooting as much as possible. Don’t compare your images to those taken by other people. EVERYBODY you are inspired by had to start somewhere, and when they first started, they absolutely were not producing the quality photographs that they share with the world now.

 

SOHO

 

Even if you’ve never been to London, if you’ve been on Instagram, you’ll recognise Soho. The seediness that the area was famed for in the 20th century has largely disappeared, to be replaced by a whole lot of neon signage, artisan coffee shops and photogenic side streets (although a handful of sex shops remain, and they make pretty cool backdrops in photographs. Just saying). The couple in the coffee shop window cottoned on to me trying to photograph them pretty much instantly. I faked some ridiculous panoramic filming thing with my camera in order to look less suspicious, but unsurprisingly, they didn’t buy it. Her facial expression says it all. Sometimes it’s fun to take photographs in which the subjects are aware of the camera. PJ and I call it “lens love” (or “lens loathe”, as the case may be).

 

REGENT STREET / PICCADILLY CIRCUS

 

Back into the main hustle and bustle of the Christmas shopping district. Regent Street is a good location to get those bus window shots, as there’s a near constant stream of passing buses. I don’t tend to take a lot of photographs at Piccadilly Circus itself – I’m normally distracted by that big LG screen that plays the BTS endorsement advert for the G7 phone. I can’t focus on snapping pictures when there’s an enormous Park Jimin nearby.

 

CHINATOWN

 

 

I make no secret at all about my love for Chinatown. I have taken more photographs in the four main roads of Chinatown that I have collectively anywhere else in total. It’s a very easy area to take photographs in, because pretty much everybody else is taking photographs too. The streets are narrow, so it’s easy to “look past” people and fake being focussed on background buildings. The streets are always busy with deliveries being unloaded, street food being consumed, and fashion being paraded, so there’s plenty of opportunities for interesting captures. And those paper lanterns strung above the street should be compulsory everywhere.

 

LEICESTER SQUARE / TRAFALGAR SQUARE

 

From a photography point of view, Leicester Square is all about the street entertainers and the crowds they attract, and Trafalgar Square is all about light and shadows. Because I’m predominantly more interested in the human storytelling element of street photography, I don’t tend to take too many shots in Trafalgar Square, although I do like visiting there because there’s a Costa Coffee above the Waterstones book shop with nice windows. And toilets. I have the bladder of a woman who has had four children, and therefore know the locations of all the passably-clean toilets around my regular photography haunts.

 

JUBILEE BRIDGE

 

There was a time, not too long ago, that PJ and I would go to the South Bank from Trafalgar Square via Westminster Bridge, but these days we opt for Jubilee Bridge instead. It’s just more convenient, and the shadows up there are pretty special.

 

SOUTH BANK

 

We loitered for a while in the section between the London Eye and the BFI, where the Christmas Market is currently located. We’ve had a little browse over the past few weeks round the Christmas Markets in Leicester Square, Winter Wonderland, and the South Bank, and can confidently report that if you’re after wooden ornaments, candles in antique tea cups, overpriced knitted hats or German sausages, you’ll be able to purchase any of these from near-identical stalls in all three locations.

 

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When a man is tired of London, he is tired of life. Me too, mate. Me too. ISO 10000, f/2, 1/1000

On a less cold day, we would have probably continued walking along the South Bank towards London Bridge tube station, via the Tate Modern and Borough Market. As it was, the warmth (but not the aroma) of the Bakerloo line back to Paddington was too much of a lure to not call it a day at this point. Thankfully, after the morning’s travel fiasco, we managed to get seats on a fast train home out of Paddington with no problems.

I’m pretty pleased with my “straight out of camera” .jpegs. All the photographs I’ve posted onto this blog have been unedited (not even straightened, which was difficult for the perfectionist in me to resist, but I managed). I discarded all the ACROS+R shots – the winter sun lighting conditions weren’t favourable to make them any sort of improvement over ACROS. I really like the tones in a lot of the Classic Chrome simulations. I kept my white balance set to AUTO for the day, and I think this was a good call. I don’t care what anybody says. When it comes to fast paced street photography, there is no shame in using whatever automatic features make the process more efficient.

Our final London street shoot of 2018 is scheduled for next Thursday (20th December). I’m pretty certain that I’ll keep the X100F settings the same as today, and try a repeat experiment shooting .jpeg only. There’s a chance that I was just on form today, and it was pure fluke that I’m happy with my results. I’ll let you know next week. If you have any questions or comments, send them my way, and don’t forget there’s still some places left on the Street Photography Workshop that Ash Smith and I will be running on Sunday 20th January 2019.

 

Love from London x