London Diaries 1 – Wednesday 12th December 2018

Hi. Here’s the 411:

London Diaries is a blog documenting the street photography adventures of Kate (@that_fujifilmgirl) and PJ (@pj.pix): two women who, through some sort of bizarre mid-life crisis, inexplicably choose to frequently wander the streets of London with cameras in the name of art.

We have been best friends for 14 years, having initially bonded over a mutual dislike of everybody else at a baby group that neither of us wanted to attend in the first place. In 2016, we invested in a pair of Canon Powershot SX420 IS cameras, so that we could take an ungodly amount of photographs of squirrels and trees and interestingly-shaped fern. Unsurprisingly, within a year or so, the thrill of capturing robins with a 42x optical zoom got a little less thrilling, and we needed a new game plan (and camera upgrades). Despite really loving photography, the problem was we had quite plausibly photographed every tree in the local forest already. We needed to find new locations to shoot, where the subjects would be ever-changing. Enter street photography. And better gear.

Now approximately once a week, PJ and I get on board a Great Western train out of Slough, accompanied by her Sony A6300 and my Fujifilm X100F, and head into Central London. Inevitably, she will provide the soundtrack to our day – randomly bursting into vague snippets of songs (often with brand new lyrics) that she deems fitting to whatever moment we find ourselves in. Recently, this has mainly been Peaches by The Stranglers, for reasons that are unclear even to her. If you don’t have a friend like this, I highly recommend finding one. We drink a lot of coffee, walk a lot of miles, talk a lot of nonsense, and shoot a lot of photographs. It’s the best mid-life crisis I could’ve hoped for.

 

Today’s shoot

Despite the presence of advent calendars and dwindling bank balances, we suddenly had a shock realisation that Christmas is just around the corner, and therefore our opportunities to get out and shoot would be somewhat limited over the next couple of weeks. So we squeezed in an impromptu midweek shoot, with the vague idea that we would head over to Shoreditch in East London to check out the Wednesday vibes, having only shot there at weekends previously. Shoreditch is famous for its street art, hipster eateries and vintage shops, so it’s always a good spot for a wander.

 

 

IMG-20181213-WA0000.jpg
Photo courtesy of PJ ( @pj.pix ), who has managed to capture my best side. The side where my increasingly infamous “concentrating” photography face/borderline-murderous look isn’t visible. One of the many reasons she is my best friend.

 

 

My vague objective: To shoot .jpeg only today (partly as an experiment, and partly because what is life without a little stress?)

Camera settings: Shutter priority, film simulation bracketing (ACROS, ACROS+R, and Classic Chrome).

Camera: Fujifilm X100F, 23mm lens.

Time of shoot: 11:29 – 15:43.

Number of coffees consumed: 3.

Distance covered: 4.5 miles.

Screenshot 2018-12-13 at 09.52.39
Today’s route

 

You might have noticed from this map that we didn’t actually go anywhere near Shoreditch. There were three contributing factors to this:

  1. Once we arrived at the train station, every train out of Slough was either cancelled or delayed due to an earlier incident. We didn’t end up pulling out of Slough station until about 10:30am, and we all know how there’s only about five minutes of daylight this time of year to shoot in as it is.
  2. Because of all the delays, the train carriages were PACKED full of passengers. I spent the next hour stood squashed up against the door, effectively being given an unsolicited lap dance by a burly stranger, whilst the couple next to me had one of those entertaining, under-the-breath style arguments about the inappropriateness of the woman’s patronising tone towards her partner. The journey was hot, and not in a good way. The train also had some kind of electrical malfunction partway to its destination, and the driver was forced to literally try “turning it off and back on again”. Not just a quick fix for computers, it seems.
  3. By the time we arrived at London Paddington, it was 11:30am, and it was FREEZING. The kind of freezing that forces you to go to Primark to buy additional layers. And once we found ourselves outside Primark at Marble Arch, it seemed daft to get on the tube to go elsewhere to shoot. Today’s route was decided: a standard Marble Arch to London Waterloo wander, via Oxford Street, Soho, Regent Street, Piccadilly Circus, China Town, Leicester Square, Trafalgar Square, Jubilee Bridge, and the South Bank. Potentially a whole wealth of street photography opportunities.

 

OXFORD STREET

 

Ah, Oxford Street. Shopping Mecca for masochists. Especially in December. It has a well-deserved reputation for being… busy. Ordinarily, this would suck, but for street photography purposes, it’s pretty awesome because you’re automatically super close to a whole range of interesting people, all of whom are so focussed on getting to their destination and away from Oxford Street, they barely notice your camera at all. And if they do, they don’t care. They’re busy surviving Oxford Street.

Six months ago, I had a tendency to “spray and pray” in this area – put the camera in burst mode and hope to catch a chance interesting facial expression or outfit. Which was fine. It served its purpose as an exercise in building my confidence and reassuring me that people, even Londoners, don’t generally punch people in the face for taking their photograph. There’s no shame in doing this, and in fact, if you’re new to the world of street photography, I’m going to go right ahead and recommend it. Succeeding in capturing a few chance images that are beyond your expectations is a really good incentive to get out shooting again, and over time, you will refine your technique, develop a more natural eye for composition, and come home with more quality over quantity on your SD card (and disable that burst mode). That old adage about your first 10,000 images being your worst is really true, and whilst you can gain pointers from other people’s experiences, nothing will improve your results better than just making the effort to go out with your camera and shooting as much as possible. Don’t compare your images to those taken by other people. EVERYBODY you are inspired by had to start somewhere, and when they first started, they absolutely were not producing the quality photographs that they share with the world now.

 

SOHO

 

Even if you’ve never been to London, if you’ve been on Instagram, you’ll recognise Soho. The seediness that the area was famed for in the 20th century has largely disappeared, to be replaced by a whole lot of neon signage, artisan coffee shops and photogenic side streets (although a handful of sex shops remain, and they make pretty cool backdrops in photographs. Just saying). The couple in the coffee shop window cottoned on to me trying to photograph them pretty much instantly. I faked some ridiculous panoramic filming thing with my camera in order to look less suspicious, but unsurprisingly, they didn’t buy it. Her facial expression says it all. Sometimes it’s fun to take photographs in which the subjects are aware of the camera. PJ and I call it “lens love” (or “lens loathe”, as the case may be).

 

REGENT STREET / PICCADILLY CIRCUS

 

Back into the main hustle and bustle of the Christmas shopping district. Regent Street is a good location to get those bus window shots, as there’s a near constant stream of passing buses. I don’t tend to take a lot of photographs at Piccadilly Circus itself – I’m normally distracted by that big LG screen that plays the BTS endorsement advert for the G7 phone. I can’t focus on snapping pictures when there’s an enormous Park Jimin nearby.

 

CHINATOWN

 

 

I make no secret at all about my love for Chinatown. I have taken more photographs in the four main roads of Chinatown that I have collectively anywhere else in total. It’s a very easy area to take photographs in, because pretty much everybody else is taking photographs too. The streets are narrow, so it’s easy to “look past” people and fake being focussed on background buildings. The streets are always busy with deliveries being unloaded, street food being consumed, and fashion being paraded, so there’s plenty of opportunities for interesting captures. And those paper lanterns strung above the street should be compulsory everywhere.

 

LEICESTER SQUARE / TRAFALGAR SQUARE

 

From a photography point of view, Leicester Square is all about the street entertainers and the crowds they attract, and Trafalgar Square is all about light and shadows. Because I’m predominantly more interested in the human storytelling element of street photography, I don’t tend to take too many shots in Trafalgar Square, although I do like visiting there because there’s a Costa Coffee above the Waterstones book shop with nice windows. And toilets. I have the bladder of a woman who has had four children, and therefore know the locations of all the passably-clean toilets around my regular photography haunts.

 

JUBILEE BRIDGE

 

There was a time, not too long ago, that PJ and I would go to the South Bank from Trafalgar Square via Westminster Bridge, but these days we opt for Jubilee Bridge instead. It’s just more convenient, and the shadows up there are pretty special.

 

SOUTH BANK

 

We loitered for a while in the section between the London Eye and the BFI, where the Christmas Market is currently located. We’ve had a little browse over the past few weeks round the Christmas Markets in Leicester Square, Winter Wonderland, and the South Bank, and can confidently report that if you’re after wooden ornaments, candles in antique tea cups, overpriced knitted hats or German sausages, you’ll be able to purchase any of these from near-identical stalls in all three locations.

 

DSCF0985
When a man is tired of London, he is tired of life. Me too, mate. Me too. ISO 10000, f/2, 1/1000

On a less cold day, we would have probably continued walking along the South Bank towards London Bridge tube station, via the Tate Modern and Borough Market. As it was, the warmth (but not the aroma) of the Bakerloo line back to Paddington was too much of a lure to not call it a day at this point. Thankfully, after the morning’s travel fiasco, we managed to get seats on a fast train home out of Paddington with no problems.

I’m pretty pleased with my “straight out of camera” .jpegs. All the photographs I’ve posted onto this blog have been unedited (not even straightened, which was difficult for the perfectionist in me to resist, but I managed). I discarded all the ACROS+R shots – the winter sun lighting conditions weren’t favourable to make them any sort of improvement over ACROS. I really like the tones in a lot of the Classic Chrome simulations. I kept my white balance set to AUTO for the day, and I think this was a good call. I don’t care what anybody says. When it comes to fast paced street photography, there is no shame in using whatever automatic features make the process more efficient.

Our final London street shoot of 2018 is scheduled for next Thursday (20th December). I’m pretty certain that I’ll keep the X100F settings the same as today, and try a repeat experiment shooting .jpeg only. There’s a chance that I was just on form today, and it was pure fluke that I’m happy with my results. I’ll let you know next week. If you have any questions or comments, send them my way, and don’t forget there’s still some places left on the Street Photography Workshop that Ash Smith and I will be running on Sunday 20th January 2019.

 

Love from London x

26 thoughts on “London Diaries 1 – Wednesday 12th December 2018

  1. Great blog post! I really enjoyed your writing style. Very engaging and funny, with some good advice mixed in.๐Ÿ‘Œ

    As an aside, several of the photos Iโ€™m the post didnโ€™t load.

  2. Love your photos Kate, and from this blog I can learn more about photography too, thank you for that.
    Wish I can go to London someday.

  3. I really enjoyed your first blog post! I’ve just started to make an effort to shoot street myself. Thanks for the encouragement on Instagram. Season’s greetings from downunder! – @kwokaun

  4. Awesome ๐Ÿ‘๐Ÿป good to see that the site is up. All the best with workshops and blogs๐Ÿ˜Š

  5. Great work Kate, a very entertaining read, sorry we didn’t get to meet up on the day, but my brain just wasn’t having it that day, although I did get one of my favourite ever images!

  6. Great write up. Agree with keeping auto settings when shooting subjects that require you to capture a split second moment, no time for the technicals! I have no doubt your form will continue next time ๐Ÿ™‚ thank you
    @joe_maurici

  7. Came for the insta shout out, stayed for the great insights and very relatable writing! Jealous you have a photo buddy like that too ๐Ÿ˜‚ ๐Ÿ‘Œ๐Ÿผ @roscoe.street

  8. Being from London myself, although since having moved to Wales, I found this a great read. Iโ€™m gutted I wasnโ€™t into photography when I lived there, as I can now picture the places you were at and Iโ€™ve realised how much opportunity there is to take some great photos. I thoroughly enjoyable read, and I cannot wait for my mid-life crisis to kick in! Just hope I find a good friend like yours to have one with. From richies_travels

  9. Enjoyed the read and some lovely shots. Loved the chrome Chinatown look. Try the Thames foreshore for something different when the tides out. Unless itโ€™s people youโ€™re after capturing, them maybe not.
    @sieppey

  10. Hi Kate, Paula – @impiccable here. Really nice website.Well done taking the leap and not letting the prospect of building it intimidate you. I’ve yet to take that hurdle. I’ve been enjoying your (Kate’s) self-proclaimed ‘waffle captions’ a lot on Instagram so a proper blog was only a matter of time (I hoped). I think it may have been a feature that turned me on to your feed and I’ve been following your work for a few months now. More often than not I look at your shots and they inspire me to go out and try to emulate them. Also love the way you describe your city walk about. I fully recognize the need for, and satisfaction of, a good walk about any city and open one self up to any inspiration that would hopefully strike me.

  11. Very entaining post! Great to see the โ€šmaking offโ€˜ of yours and Paulas work.
    And of course not to miss your limited Instagram offer, by leaving auch a nice and charming comment on your new website!
    @schbok

  12. Hi Kate – I don’t know how I stumbled across your instagram account, but I’m really glad I did. You have an uncanny knack and skill in capturing people at the right moment, and I hope that your new website acts as a springboard to greater success which your talent deserves.

    Your website and blog shows off your human side to the person behind the camera. Look forward to seeing more of your photos, diary entries, rants and laughter!

    All the best
    Martyn (@martynlphotography)

  13. “Number of coffees consumed: 3.”

    Hahaha, I love your storytelling style! It’s this endearing combination of your nature as a person coupled with what actually happened. I want as many of these Diaries as possible! A close friend of mine and I do the same thing you and Paula do in our city, Mysore. It’s a lot less bustling and a lot more nooks and crannies, but it has a great character. If you’re ever in India, I suggest you do a diary there. I’m considering switching to the blog format too for the diaries, because photo collections on instagram are a bit of a bummer because I don’t know how many people look through the photos!

    Regularly people whose photos I’ve taken come and give me their email address/number so that I can send them the photos I’ve taken. Does that ever happen to you? A couple of times I’ve had full impromptu portrait shoots with strangers.

    “itโ€™s pretty awesome because youโ€™re automatically super close to a whole range of interesting people, all of whom are so focussed on getting to their destination and away from Oxford Street, they barely notice your camera at all. And if they do, they donโ€™t care. Theyโ€™re busy surviving Oxford Street.”

    As much as I love connecting with subjects when I’m out and about, I’ve found that my best images happen when they go unnoticed, as if taken by no more than a camera with a mind. I really loved the one of the lady who just about caught you photographing her; what a moment!

    My favourites of the lot are the South Bank shots. I can tell you love the place, it shows in the way you’ve photographed. Personally, though, I wish more of them were in colour, because your eye for colour is so good and the scenes you shoot tend to naturally be so vibrant that in colour they’re real treats! I’ve followed you super closely on Instagram since the day I found you, I think you’re a beautiful being and your photos bring a lot of joy. I appreciate that you upload so regularly even if you don’t think they’re the best photos you’ve taken โ€“ my profile is kind of empty from often being paralysed about posting something I’m not happy enough with.

    Thanks for reading, and thanks for posting! My profile is @sa_rathy
    Much love,

    Partha.

  14. You may get several comments from me! Iโ€™m having WordPress issues. Anyway, love the blog, I am a big fan of the Soho pictures, who can resist a neon sign?! My favourite are the Chinatown shots, you have such an eye for interesting people! I look forward to your next post ๐Ÿ™‚

  15. Enjoyed your first blog a lot. I will be in London for a couple of days in January, so this did help a lot. ๐Ÿ™ Also, I really enjoy your shots. Greetings from Germany. @zenostr33t

  16. Thank you for the blog and pointers, very much enjoyed that!
    And thank you for your reaction on Instagram.
    England is one of my favourites, London is on the list, but until then; enjoying your photoโ€™s!!

    Much love ๐Ÿ™‹๐Ÿผโ€โ™€๏ธ
    @natjoav

  17. Awesome narrative! Great format to view you’re work. You’ve got me all inspired to do something similar! Looking forward to more IG posts allerting me to more blog updates.

  18. First of all – kudos for launching the site! It’s a great idea with promising potential, and the first experience is fantastic.

    Spent time on all active pages and the more I read and learn, the more I feel I’ll be coming back. Found a few curious coincidences like inhabiting nearly the same geographies and suffering the same railway tyrants, but those are nothing compared to shared views on life and the world ๐Ÿ™‚

    On street photography I tend to agree that spontaneity rules over perfection and welcome any un-straightened photo for what it is capturing (come on, people rotate them in Photoshop to fake a ‘documentary’ tilt, and yours is natural ๐Ÿ™‚ Fuji is notorious for its JPEGs and you made a good decision to bracket and select from their legendary ’emulsions’. And with BW in the selection, you can never go wrong ๐Ÿ˜‰

    Won’t comment on the photos, I can only say they are a book-worthy / exhibition-worthy photo-story in their own right, not mere illustrations of the written narrative. Reading your blog is a compelling reason to come back for more, as are the photos; combined they can create unbeatable ‘stickiness’ (a formal success measure of websites, as repulsive as the word may sound to someone ๐Ÿ™‚

    Best of luck with the site, wish you many exciting and rewarding moments with your audience here! And I look forward to the ‘coming soon’-s and to the next blog episode!

    Vlado (insta @vladomaistora)

  19. An entertaining post, Kate!

    Always meant to start a blog/website but I’ve never had the dedication to follow it through. Maybe in the New Year…

    Look forward to more stuff being posted

    Nishan
    @prophethero

  20. Congratulations Kate! LOVE the website and blogs ๐Ÿค— Obvs your photographs are wicked but you are also an incredibly talented writer! ๐Ÿ™Œ I will have to get on a (great) Western out of Devon and join you guys for a shoot one day ๐Ÿ‘๐Ÿ˜Ž๐Ÿ’›

    Dawn
    @dawneagleton_fuji xxx

  21. My response is pretty much like the other commenters here. Your story leaves me inspired to just shoot more instead of getting bogged down with details of technique and composition. You’ve got a very engaging and accessible style. I wish you every success with your project this coming year.

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